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In his 40-year career as an award-winning songwriter, guitarist and musician’s musician, Richard Thompson (b. 1949) has won fans for his work as an original member of Fairport Convention, as part of a duo with former wife Linda Thompson and as a solo artist. His songs have been recorded by Bonnie Raitt, Elvis Costello, Emmylou Harris ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Guitar, singer-songwriter, b. 1949) The career of this brilliant guitarist and songwriter began in the 1960s with Fairport Convention. Solo releases throughout the 1970s and 1980s – especially I Want To See The Bright Lights Tonight (1974), with then-wife Linda – cemented a reputation for an influential guitar style equally at home in folky acoustic and electric settings. During ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Veteran Rolling Stones guitarist Keith Richards (b. 1943) was born in Dartford, Kent. After being expelled from technical school in 1958, Richards attended Sidcup Art College. The art-school environment was crucial to Richards’ development, as it was for many of his generation. Here he was able to nurture his passion for rhythm and blues, finding many fellow ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Me-shel’ Re’-share de La-län-de) 1657–1726 French composer During the mid-1660s Lalande, along with Marais, was a member of the choir at St Germain-l’Auxerrois in Paris and later, as an organist, he was the mentor of Couperin. In 1683 he was appointed one of four sous-maîtres of the Chapelle Royale, gradually acquiring all the other major musical positions ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Re-khart Shtrous) 1864–1949 German composer During an amazingly productive career, Richard Strauss wrote 15 operas, five ballets, several orchestral masterpieces, well over 200 songs and many other works. As a conductor he contributed in countless practical ways to the musical life of Europe and the US in the flourishing period from the last two decades of the nineteenth ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Rich’-ärd Varg’-na) 1813–83 German composer Wagner is one of the most influential and controversial composers in the history of classical music. He was born in Leipzig and educated there and in Dresden. His later years were spent in Bayreuth, the home of the festival theatre and the yearly summer festival he founded, which still flourish today. The idea of Bayreuth ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Piano, b. 1930) Muhal Richard Abrams was one of the principal architects of free jazz in Chicago. After playing with Eddie Harris and the MJT+3, Abrams founded his Experimental Band in 1961 to explore original composition and new directions. In 1965 he founded the Association for the Advancement of Creative Musicians (AACM), which emphasizes creativity, professionalism and social ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Fiddle, 1848–1931) The first man to play on the Nashville radio station that would house the Grand Ole Opry, Thompson was a Tennessee-born, Texas-raised fiddler with many contest rosettes to his name when he sat down at a WSM microphone in November 1925. Accompanied by his daughter Eva, who played piano or danced, he toured small-town ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Hank Thompson (b. 1925) is one of the most difficult country stars to classify. His Brazos Valley Boys were for a number of years one of the most talented and revered of western-swing bands, yet Thompson was never really a western-swing performer. He recorded a number of songs that remain honky-tonk classics, but he was never just a honky-tonk ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Richard the Lionheart’ Composed: 1784 Premiered: 1784, Paris Libretto by Michel-Jean Sedaine Prologue Richard I has disappeared on his way home to England from the Third Crusade. Blondel, his squire and a troubadour, is trying to find his master. Act I Peasants are returning in the evening to their homes near Linz Castle. A local boy, Antonio ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

1813–83, German If – to quote Mark Twain – Wagner’s music ‘is not as bad as it sounds’, then the composer’s life was by no means as turpitudinous as it is generally claimed to be. Idolized by his friends and supporters as a family man who was kind to animals and plagued by self-doubts, he was demonized by his ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

‘The Flying Dutchman’ Initially a one-act opera, Der Fliegende Holländer was later expanded to three. Wagner was anxious to make sure it was performed in the way he wished, and wrote detailed production notes for the directors and singers. He also conducted the first performance at the Hofoper or Court Opera in Dresden on 2 January 1843. Although Wagner ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

The full title of this opera in three acts is Tannhäuser und der Sängerkrieg auf Wartburg (‘Tannhäuser and the Song Contest on the Wartburg’). Wagner, who took nearly three years to write the opera, conducted the first performance at the Dresden Hofoper on 19 October 1845. This was the first of two Wagner operas in which a song contest ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Franz Liszt, the great Hungarian composer whose daughter Cosima married Wagner in 1870, conducted the first performance of the three-act opera Lohengrin at the Court Theatre, Weimar on 28 August 1850. Wagner provided a blueprint for productions of Lohengrin, just as he did for Tannhäuser, and emphasized the duty of the stage manager not to leave ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Wagner’s music drama Tristan und Isolde, written between 1856 and 1859 and first produced at the Hof- und Nationaltheater in Munich on 10 June 1865, broke the established mould of opera and took it to the threshold of ‘modern’ music. Tristan was based on an Arthurian legend, and featured a regular theme in Wagner’s operas – the plight ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie
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